Another fragment. Another incomplete story. Distinctive this time because A) I have absolutely no recollection of writing it (though it’s clearly something I wrote) and B) I have absolutely no idea where I was going with it. But it seems interesting to me.

In a way, it’s more stock than a lot of what I’ve written, particularly for fantasy. At the same time, there’s more of a horror dimension than a lot of my fantasy work.

It’s also distinctive because it’s one of the few stories to involve Fort Baxter, a fictional Maine town along the Canadian border, meant to be my home town of Fort Kent with serial numbers filed sort of off and a fresh coat of paint over it.

I think I probably wrote this while I was finishing up college. I was really into the idea of language critical theory/linguistic critical theory/the sign-significator-significated trichotomy for a while then. I’m a little surprised this isn’t more pretentious than it is as a result.

Apropos of nothing, the lead is named Karin MacDougal.  In 1997, a Karen McDougal became a somewhat more-famous-than-usual Playboy Playmate and then Playmate of the Year. From the tone of this piece, I believe it was written at least four and possibly more years before 1997, so despite the name, this is not an homage to a hot chick.

Also apropos of nothing, I used to make homemade hot cocoa like is described in here.

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When we go back to stuff I wrote in the past, moving forward, I think we’ll call it “From the Vault.” That’s the sort of thing we’ll do on Tuesdays and Thursdays, on those Tuesdays and Thursdays we actually do something.

This is a fragment — an incomplete chapter one of a book never written, dating back to the early 90′s. As with pretty much every science fiction writer who was once twenty, this was the beginning of my dystopia novel. Back in the days when I figured I was going to graduate school as a matter of course, I had seriously considered Utopia and Dystopia as a concentration and field of study. I was considering that alongside 19th and 20th Century American Poetry, of course. It never entered my head to go for a Ph.D. in the Modern Superhero Story, which is a pity since that’s what I’d clearly be able to nail.

To that end, I started writing my dystopia. I called it America the Beautiful, because I was very, very earnest about it. This was going to be a call to arms — a warning for the ages that would rank with Brave New World and 1984.

You know. Just like all the other dystopias out there.

Well, I never got out of the first chapter. But rereading the first chapter I’m a little amazed — as unsubtle as the title was, the opening, the establishment of tone and character… it’s better than I expected when I went back to reread this. I’m actually moderately interested in what Thomas’s story would turn out to be.

Not that we’ll ever find out. At least, if I ever pick this up, it’ll be significantly different than whatever I intended fifteen years ago.

There is one thing I like in this, as well. To me, a good dystopia — I mean, a really good and scary one — had to be compelling. You had to get the sense that the people living in that society were perfectly content to live in that society. I didn’t believe 1984 would ever happen for the sheer fact that if the entire world was uncomfortable and unhappy, someone would do something about it in a power bid. Brave New World was far more likely, because as scary as that would was, you could believe the people living in it enjoyed themselves. And when people were happy, they weren’t rebelling against the social order.

Anyhow. Here it is. I hope you like it.

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